<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2393363469283130765</id><updated>2011-07-28T10:55:07.259-07:00</updated><title type='text'>wolfpoems</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://dwolfpoems.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2393363469283130765/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://dwolfpoems.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>David Wolf</name><uri>http://www.blogger.com/profile/08765104863314154429</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_xXg9NQvhzmU/SPyw7aSUzHI/AAAAAAAAACM/TIWspgY-7Lc/s1600-R/wolfd.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2393363469283130765.post-377997724058419740</id><published>2008-10-19T19:38:00.000-07:00</published><updated>2011-07-20T08:53:25.255-07:00</updated><title type='text'>Poems</title><content type='html'>&lt;span style="font-size:130%;"&gt;&lt;span style="font-family:times new roman;"&gt;Follow my work-in-progress "To Wit, T' Tweet, To Whom It May Concern" on Twitter @ wolf_whiskers&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;Below you will find a selection of poems from &lt;em&gt;Open Season&lt;/em&gt; (Center Press Books, 1999; IA Books, 2006), &lt;em&gt;The Moment Forever&lt;/em&gt; (IA Books, 2006) and &lt;em&gt;Sablier&lt;/em&gt; (IA Books, 2006).&lt;br /&gt;&lt;br /&gt;From &lt;em&gt;Open Season&lt;/em&gt;:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Exchange &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Opening the window to test the cold&lt;br /&gt;with a breath,&lt;br /&gt;I see a small boy at the day care across the road&lt;br /&gt;who sees me and waves.&lt;br /&gt;I wave back&lt;br /&gt;and he waves again.&lt;br /&gt;I wave back,&lt;br /&gt;he waves,&lt;br /&gt;I wave—&lt;br /&gt;We could do this all morning, I figure,&lt;br /&gt;and as I close the window&lt;br /&gt;the boy continues&lt;br /&gt;to wave,&lt;br /&gt;trying to squint past&lt;br /&gt;the low-blowing clouds, the swaying trees&lt;br /&gt;that now fill the glass,&lt;br /&gt;past the day's reflection&lt;br /&gt;to what surely must still be there:&lt;br /&gt;the smile, the waving hand,&lt;br /&gt;the stranger’s face.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Maneuvers&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;I grew up in a house with seven TVs.&lt;br /&gt;I liked it when the heroes got it in the end.&lt;br /&gt;&lt;br /&gt;When my grandmother came to sit&lt;br /&gt;she'd line up three sets in a row&lt;br /&gt;and watch three different channels at once.&lt;br /&gt;I'd kneel beside her&lt;br /&gt;and slap the fat on her arms for fun.&lt;br /&gt;&lt;br /&gt;Summers when the reruns couldn't hold us,&lt;br /&gt;my brother and I would hunt each other down&lt;br /&gt;in the woods behind our house,&lt;br /&gt;armed with the latest toy weapons&lt;br /&gt;or Dad's .45 without the clip.&lt;br /&gt;&lt;br /&gt;If you got hit you were dead for 60 seconds.&lt;br /&gt;&lt;br /&gt;One night I didn't get up.&lt;br /&gt;My brother never returned to finish me off.&lt;br /&gt;I lay there watching the darkness close down the view,&lt;br /&gt;thinking of the release that always fell&lt;br /&gt;over the unshaven faces of heroes&lt;br /&gt;dying in the arms of some full-figured woman.&lt;br /&gt;I lay there letting the mosquitoes fill with blood,&lt;br /&gt;trying to slow my heart to starve them off.&lt;br /&gt;I lay there in the swell of the locusts,&lt;br /&gt;trying to make it real.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Love Letter from Michigan &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Snow flies&lt;br /&gt;mid-April&lt;br /&gt;and so what&lt;br /&gt;it's pretty yes&lt;br /&gt;but so's San Gimignano&lt;br /&gt;this time of year&lt;br /&gt;unlike the strip to Ypsi&lt;br /&gt;or Fox Lake&lt;br /&gt;which looks promising on the map&lt;br /&gt;until the territory reveals&lt;br /&gt;the auto plant on the shore&lt;br /&gt;pinching off waste in the tax-deductible&lt;br /&gt;sunset of fiscal irresponsibility&lt;br /&gt;and me I'm just here&lt;br /&gt;craving another hit of sense&lt;br /&gt;lost in this evening's holding pattern&lt;br /&gt;of love me don't leave me thinking&lt;br /&gt;how lovely it would be&lt;br /&gt;to feel your orificial blessings&lt;br /&gt;and the fresh produce con brio of your utterances&lt;br /&gt;in this cluttered and pathologically diverted&lt;br /&gt;world of trumped-up loveless surfaces&lt;br /&gt;hopeless as the knot of my necktie&lt;br /&gt;uncertain as Little Jimmy Dickens' career—&lt;br /&gt;O tale of two thousand sequins—&lt;br /&gt;and just now a momentary dusting&lt;br /&gt;of Florentine twilight&lt;br /&gt;leaves me only the residue of this&lt;br /&gt;my sleeveless errand&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Thunderheads Thirty Miles East&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;anvils of discontent&lt;br /&gt;(or is that giving too much away?)&lt;br /&gt;&lt;br /&gt;Willfully obscure yourself&lt;br /&gt;you envision beneath them&lt;br /&gt;a ceaseless line of interstate traffic passing&lt;br /&gt;the escaped convict who thumbs a ride&lt;br /&gt;a mile past the sign that reads:&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;Prison Area&lt;br /&gt;Do Not Pick Up Hitchhikers&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Face it&lt;br /&gt;&lt;br /&gt;Those birches&lt;br /&gt;&lt;br /&gt;dry and leaning tall into the August wind&lt;br /&gt;and the blue torn half-sponge&lt;br /&gt;upright and hardening on the window sill&lt;br /&gt;veil nothing&lt;br /&gt;save the trace of last summer's Bergamasques&lt;br /&gt;hovering to the east of Como&lt;br /&gt;far from this glazed fugue of remembrance&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;So&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;So the banister is weak from years of leaning&lt;br /&gt;So the smokebush turned yellow this year not red&lt;br /&gt;So the sherry made locally burns going down&lt;br /&gt;So the wind cleared the leaves from the balcony&lt;br /&gt;So my cigarette butts buckle like bad ankles in the ashtray&lt;br /&gt;So I wear only the clothes given to me as gifts&lt;br /&gt;So the cupboards are indifferent&lt;br /&gt;So I dreamed I tore your letters into strips of sentences&lt;br /&gt;and tossed them exploding at your feet&lt;br /&gt;So you didn't mean anything slipping your hand&lt;br /&gt;in my pocket under the table&lt;br /&gt;So the oil burned for eight days and nights&lt;br /&gt;So life is open season on the living&lt;br /&gt;So your birthmark burns a hole in my memory&lt;br /&gt;So that brown slur of a river stole you after all&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;* &lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;No Solution&lt;br /&gt;&lt;/div&gt;&lt;/strong&gt;&lt;br /&gt;Today I became you&lt;br /&gt;so I would not have to go on&lt;br /&gt;reaching for you in the night.&lt;br /&gt;"Leave me alone," I said,&lt;br /&gt;hugging myself in the dark.&lt;br /&gt;I was lying.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Morning Inventory&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;New fat.&lt;br /&gt;No new hair.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;strong&gt;Poem&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;There in the muddy gutter:&lt;br /&gt;the pink petals of a plastic geranium.&lt;br /&gt;&lt;br /&gt;No.&lt;br /&gt;&lt;br /&gt;It’s the shredded blossom&lt;br /&gt;of a real candy wrapper.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;strong&gt;I Ask You&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Shouldn't we be doing our laundry naked&lt;br /&gt;if we really want to do&lt;br /&gt;a thorough job?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Banana on the Counter&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;has your name on it.&lt;br /&gt;Connect the spots and you'll see.&lt;br /&gt;Don't get too excited.&lt;br /&gt;It might not be you.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;The banana on the counter&lt;br /&gt;has been there for days,&lt;br /&gt;ripe as all get-out.&lt;br /&gt;Its favorite all-purpose non sequitur could be:&lt;br /&gt;"I hope the rain doesn't hurt the rhubarb."&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;.&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;The banana on the counter&lt;br /&gt;does not miss this morning's donuts&lt;br /&gt;more than I do.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The banana on the counter points north tonight&lt;br /&gt;out of no particular sense of allegiance.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The banana on the counter&lt;br /&gt;never laughed at the gag about its slippery peel.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The banana on the counter&lt;br /&gt;does not theorize&lt;br /&gt;the possibility of achieving&lt;br /&gt;"a primordial intuition of another's lived experience."&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;The banana on the counter&lt;br /&gt;does not feel&lt;br /&gt;that pumpkins have it worse in October.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The banana on the counter&lt;br /&gt;does not claim to know&lt;br /&gt;why I scrub the saucers&lt;br /&gt;so hard.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;The banana on the counter may indeed swear&lt;br /&gt;the bread is breathing&lt;br /&gt;in all that plastic.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;The banana on the counter could be longing&lt;br /&gt;for a hiss at the Cheshire cat moon.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;The banana on the counter doesn't think&lt;br /&gt;those five-dollar ties I bought&lt;br /&gt;were such a good deal.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;The &lt;em&gt;banane&lt;/em&gt; on the counter&lt;br /&gt;neither loves nor despises the French&lt;br /&gt;for leaving off a syllable.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;The banana on the counter&lt;br /&gt;cannot tire of the relentless gaze,&lt;br /&gt;nor can it know&lt;br /&gt;the precise feel&lt;br /&gt;of this late-hour appetite.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Intersection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;We were stopped&lt;br /&gt;at a green light&lt;br /&gt;waiting for a long funeral procession to finally pass&lt;br /&gt;when&lt;br /&gt;out of the silence&lt;br /&gt;my old father said—&lt;br /&gt;shaking his head in wonder—&lt;br /&gt;"They sure go fast, don't they?"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lidless&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;You lie once more beneath the black anchor&lt;br /&gt;that swings in place&lt;br /&gt;of the cheap candelabra fixture&lt;br /&gt;you swear was there&lt;br /&gt;hanging so elegantly over your bed&lt;br /&gt;as you drifted off&lt;br /&gt;hours&lt;br /&gt;maybe years ago&lt;br /&gt;&lt;br /&gt;The heart you forgot you had&lt;br /&gt;as you fell (with no memory of falling)&lt;br /&gt;off to sleep&lt;br /&gt;echoes now off the walls of your pillow-cave&lt;br /&gt;and the miracle of waking&lt;br /&gt;is no small thing you think&lt;br /&gt;no tin-whistle prize&lt;br /&gt;no more than a notion now lost&lt;br /&gt;on the slow wind rising in the late summer leaves&lt;br /&gt;the same wind you insist is innocent&lt;br /&gt;of all you shall forever hear in it&lt;br /&gt;&lt;br /&gt;Of course you are not alone&lt;br /&gt;&lt;br /&gt;But when has this ever calmed you&lt;br /&gt;there on your back in the night&lt;br /&gt;suspended in the sea of all&lt;br /&gt;those stars you can and cannot see&lt;br /&gt;adrift on that old coarse whisper of a dream:&lt;br /&gt;&lt;br /&gt;a wish no more:&lt;br /&gt;&lt;br /&gt;eternity&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;* *&lt;br /&gt;&lt;br /&gt;Acknowledgment is due to the editors of the following publications in whose pages these poems from &lt;em&gt;Open Season&lt;/em&gt; first appeared.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Avatar Review&lt;/em&gt;: "No Solution"&lt;br /&gt;&lt;em&gt;City View&lt;/em&gt;: "Intersection"&lt;br /&gt;&lt;em&gt;The Hampden-Sydney Poetry Review&lt;/em&gt;: "Love Letter from Michigan"&lt;br /&gt;&lt;em&gt;Hiram Poetry Review&lt;/em&gt;: "The Exchange"&lt;br /&gt;&lt;em&gt;Jeopardy&lt;/em&gt;: "Thunderheads Thirty Miles East"&lt;br /&gt;&lt;em&gt;Lucid Moon&lt;/em&gt;: "Poem," "Morning Inventory"&lt;br /&gt;&lt;em&gt;Poet &amp;amp; Critic&lt;/em&gt;: "Maneuvers"&lt;br /&gt;&lt;em&gt;Stand Alone&lt;/em&gt;: "So"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;em&gt;Open Season&lt;/em&gt;: Copyright 2006 by IA Books&lt;br /&gt;ISBN: 81-89617-13-3&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;br /&gt;* * * *&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;br /&gt;From &lt;em&gt;The Moment Forever&lt;/em&gt;:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;The Poetry Writing Instructor&lt;br /&gt;&lt;/div&gt;&lt;/strong&gt;&lt;br /&gt;In a small office&lt;br /&gt;at a large university,&lt;br /&gt;she praised someone else’s tiny poem&lt;br /&gt;as "transcendently exquisite."&lt;br /&gt;My nose itched.&lt;br /&gt;&lt;br /&gt;She insisted that I strive for weightier insights.&lt;br /&gt;She gave me a list of models to read.&lt;br /&gt;Just because I quoted a line from Byron&lt;br /&gt;she pronounced me "well read."&lt;br /&gt;&lt;br /&gt;"Why don’t you take the assignments seriously?"&lt;br /&gt;she asked.&lt;br /&gt;"&lt;em&gt;Something&lt;/em&gt; devastating must have happened&lt;br /&gt;in your personal life this semester.&lt;br /&gt;You can’t go on writing about the moment forever!"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;By the stream,&lt;br /&gt;reading a haiku by Basho—&lt;br /&gt;Look! Small white butterflies!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;Cloud on the horizon—&lt;br /&gt;you look like a smiling fish.&lt;br /&gt;What a leap!&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;br /&gt;Canada geese&lt;br /&gt;asleep on the river sandbar in the late September sun,&lt;br /&gt;their long necks curved back&lt;br /&gt;along their bodies,&lt;br /&gt;heads tucked deep in their feathers—&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;How nice to be your own pillow.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;br /&gt;&lt;strong&gt;Richard Tillinghast&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;told me that Keats&lt;br /&gt;used to get all dressed up&lt;br /&gt;to write poetry.&lt;br /&gt;&lt;br /&gt;This is a pajamas and slippers poem.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;*&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Disembarkation&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;Some in our tour group&lt;br /&gt;slow down to look&lt;br /&gt;at yesterday’s mayflies&lt;br /&gt;littering the dock.&lt;br /&gt;&lt;br /&gt;Some shuffle ashore&lt;br /&gt;a little faster.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;br /&gt;After the fireworks—&lt;br /&gt;summer night sky full of stars:&lt;br /&gt;the big "ooh, ah"&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Cat sleeping on the church steps—&lt;br /&gt;"Hello," I say.&lt;br /&gt;Only an ear moves.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;That crowing rooster&lt;br /&gt;sounds like a dog&lt;br /&gt;imitating a rooster.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Windy autumn night,&lt;br /&gt;the elm tree emptied of its yellow leaves…&lt;br /&gt;now filled with stars.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Tiny green leaf&lt;br /&gt;caught in the spider’s web—&lt;br /&gt;Today’s special: fly with salad.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;Crow lands—&lt;br /&gt;disappearing into tall grass&lt;br /&gt;to join the chirping crickets. &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Snails&lt;br /&gt;climbing all over the sign that says:&lt;br /&gt;"Climbing Prohibited"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Moon&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;Moon,&lt;br /&gt;who hasn’t seen you?&lt;br /&gt;&lt;br /&gt;Well, many of course.&lt;br /&gt;The sightless,&lt;br /&gt;and the many small lives who never made it&lt;br /&gt;into the night?&lt;br /&gt;&lt;br /&gt;"Cliché I suppose,&lt;br /&gt;but one thing history’s great and horrible and&lt;br /&gt;everyone in between&lt;br /&gt;has gazed upon is that moon," she said,&lt;br /&gt;as we drank beer on the rail trestle&lt;br /&gt;one autumn night, years ago.&lt;br /&gt;&lt;br /&gt;Here is my translation&lt;br /&gt;of Li Po’s famous poem, "In the Quiet Night":&lt;br /&gt;&lt;br /&gt;Such moonglow at the foot of my bed—&lt;br /&gt;Could there be hoarfrost so soon?&lt;br /&gt;I lift my head and gaze at the bright moon.&lt;br /&gt;Lying back, I think of home.&lt;br /&gt;&lt;br /&gt;"Why bother with another translation of Li Po?"&lt;br /&gt;a former colleague asked me one day&lt;br /&gt;when I ran into him out walking a local nature trail.&lt;br /&gt;&lt;br /&gt;"Bother?" I replied. "If you want to know about bother,&lt;br /&gt;I will tell you."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Grabbing sage from the garden—&lt;br /&gt;grabbed a handful&lt;br /&gt;of caterpillar guts.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Aubade&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;for Wini&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Bruise of morning and I reach&lt;br /&gt;for you in your sleep.&lt;br /&gt;You smile, claim a deep breath, dream on.&lt;br /&gt;&lt;br /&gt;I lie awhile in the graying segue of winter light&lt;br /&gt;then rise to read at my desk,&lt;br /&gt;idling a mind on mannered lines,&lt;br /&gt;looking quietly for trouble.&lt;br /&gt;&lt;br /&gt;I wait, remarking the day,&lt;br /&gt;moving from page to world to page:&lt;br /&gt;&lt;em&gt;brooding birds&lt;/em&gt; clot the bare branches&lt;br /&gt;swaying slightly in the etched air;&lt;br /&gt;a few flurries now, &lt;em&gt;ghosts of last summer’s moths&lt;/em&gt;&lt;br /&gt;returning.&lt;br /&gt;&lt;br /&gt;And all &lt;em&gt;is&lt;/em&gt; nothing until I hear&lt;br /&gt;your first rustlings in the far room&lt;br /&gt;as you gather the sea-wash rush of linen about you,&lt;br /&gt;astir in the spare glow—&lt;br /&gt;&lt;br /&gt;waking to a name called&lt;br /&gt;from the shadows of the shared world.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Snowy rooftop—&lt;br /&gt;a robin lands, slips, skims back to flight&lt;br /&gt;this spring morning.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;Gnat lands&lt;br /&gt;on the magazine photo&lt;br /&gt;of a fruit stand.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;br /&gt;* &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Late September—&lt;br /&gt;dead cicada blowing across the tennis court—&lt;br /&gt;"Out."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;* *&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Acknowledgment is due to the editors of the following publications in whose pages the following poems first appeared.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Buddha’s Temple&lt;/em&gt;: [That crowing rooster]&lt;br /&gt;&lt;em&gt;Old Red Kimono&lt;/em&gt;: "Richard Tillinghast"&lt;br /&gt;&lt;em&gt;Sequel&lt;/em&gt;: [Canada geese], [Windy autumn night—]&lt;br /&gt;&lt;em&gt;Short Stuff&lt;/em&gt;: [By the stream,], [Cloud on the horizon—], [Blurry bird on the bough], [Cat sleeping on the church steps—], "Disembarkation"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;em&gt;The Moment Forever&lt;/em&gt;: Copyright 2006 by IA Books&lt;br /&gt;ISBN: 81-89617-14-1&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;* * * *&lt;br /&gt;&lt;br /&gt;From &lt;em&gt;Sablier&lt;/em&gt;:&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;I&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Bickering essence,&lt;br /&gt;were you ever more than badgered trace,&lt;br /&gt;roughed in, roughed out,&lt;br /&gt;roughed up?&lt;br /&gt;See me on this.&lt;br /&gt;Yet what ossuaries we are,&lt;br /&gt;as the dark weighs in&lt;br /&gt;awash in late autumn rain,&lt;br /&gt;the sodden dead leaves plugging eaves&lt;br /&gt;all over town,&lt;br /&gt;where I keep seeing&lt;br /&gt;the latest cattle-rancher rain ponchos&lt;br /&gt;enshrouding most sadly the executives.&lt;br /&gt;Eyes averted you go forth,&lt;br /&gt;nosing around for the apish melody of love,&lt;br /&gt;whistling away the miles,&lt;br /&gt;wreathing the hazy length of some gorge.&lt;br /&gt;One gives the wind room in yet another poem because&lt;br /&gt;it is ever with us.&lt;br /&gt;&lt;br /&gt;A small wave teeters&lt;br /&gt;back of a big one&lt;br /&gt;and you there,&lt;br /&gt;tapping your foot to the exegesis&lt;br /&gt;because you know better, don’t you,&lt;br /&gt;than to lounge for long in the charmed fog of the enigmatic&lt;br /&gt;(where I admit I stroked her calf beneath the broad quilt of daylight,&lt;br /&gt;vying for a stake in these hours of mere attendance deemed being).&lt;br /&gt;You’ve got to make it&lt;br /&gt;through the world&lt;br /&gt;if you can.&lt;br /&gt;Damn if I don’t&lt;br /&gt;accept all the absence,&lt;br /&gt;all the lack,&lt;br /&gt;for from certain veiled perspectives&lt;br /&gt;less can be, to say the least, more&lt;br /&gt;arousing.&lt;br /&gt;Self now as sharp-dressed wreckage&lt;br /&gt;gone underground—&lt;br /&gt;In your reduced understanding,&lt;br /&gt;keep loving.&lt;br /&gt;And whether or not it is all based upon&lt;br /&gt;a belief in perception…&lt;br /&gt;&lt;br /&gt;You were away and the snow wouldn’t budge from the black branch.&lt;br /&gt;&lt;br /&gt;(O chalky iced-up town of my boyhood.)&lt;br /&gt;I am like the morning:&lt;br /&gt;No mere unanswered leap of wealth hung in the name of peace.&lt;br /&gt;How I loved the doctor’s daughter…&lt;br /&gt;"It’s just transference."&lt;br /&gt;Who can argue?&lt;br /&gt;"It takes a professional, let me assure you."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;II&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;New York never sleeps, only New Yorkers.&lt;br /&gt;To organize is to neglect certain organs.&lt;br /&gt;Floating that afternoon in the clear shallows…&lt;br /&gt;her nipples such rosy islands in the sun.&lt;br /&gt;For as he thinketh in his heart, so is he.&lt;br /&gt;We would gather in those days on the high bank of the creek,&lt;br /&gt;deep in the woods, cutting classes, smoking, Camus-like, sifting:&lt;br /&gt;"Let’s face it, the universe is far from benignly indifferent,&lt;br /&gt;it’s just indifferent, though even that formulation is, well,&lt;br /&gt;a formulation, though who can know, certainly the truth is&lt;br /&gt;not just me."&lt;br /&gt;"So settle down and listen to some good music," the radio advises.&lt;br /&gt;Nothing doing.&lt;br /&gt;As a squirrel curls, hunched on the limb, nautilus-like;&lt;br /&gt;As you dream adrift gin rivers coursing down your father’s fairways:&lt;br /&gt;Broad arrowhead shadow of a pine&lt;br /&gt;tree pointing my way&lt;br /&gt;not exactly&lt;br /&gt;of course&lt;br /&gt;&lt;br /&gt;slightly to my right (yes west)&lt;br /&gt;and I watched&lt;br /&gt;still as an eye could be&lt;br /&gt;as the sun the tree&lt;br /&gt;and everything else too numerous&lt;br /&gt;to mention swung&lt;br /&gt;that squat shadow point more precisely my way…&lt;br /&gt;ends flexing,&lt;br /&gt;square as the bill that buys this loveless advance&lt;br /&gt;hailed as the real&lt;br /&gt;world.&lt;br /&gt;Captive beneath clouds—&lt;br /&gt;dead nations wedged forth from their continents,&lt;br /&gt;loosed to let all borders stream down through the air.&lt;br /&gt;Peace of the sea heaving&lt;br /&gt;at a distance…&lt;br /&gt;forever missing&lt;br /&gt;with a trace.&lt;br /&gt;Conference notes:&lt;br /&gt;New décor, old confines,&lt;br /&gt;the primordial light, the essential buzz…Sing cuccu!&lt;br /&gt;Summer is a-coming though who would know it in an auditorium&lt;br /&gt;sprinkled with detractors.&lt;br /&gt;&lt;br /&gt;Dusk&lt;br /&gt;&lt;br /&gt;and our best translation:&lt;br /&gt;"Under the Mirabeau Bridge flows the Seine and our love."&lt;br /&gt;Know some more?&lt;br /&gt;…and besides we all could do worse than agree that in producing oppositions,&lt;br /&gt;the immediate slide to symmetry, process and inauguration&lt;br /&gt;risks a misuse of history…&lt;br /&gt;I am chewed.&lt;br /&gt;&lt;br /&gt;Chartered gristle, bouncing in ancient ardor,&lt;br /&gt;one’s funky slung accruals spraying.&lt;br /&gt;"Where does the truth lie?"&lt;br /&gt;All over the place.&lt;br /&gt;Holy smoke.&lt;br /&gt;Vast gob, broad worlds.&lt;br /&gt;Yawn breaking.&lt;br /&gt;A big yawn&lt;br /&gt;of atomized nothingness.&lt;br /&gt;(Remote spume,&lt;br /&gt;restless sleep of clover.)&lt;br /&gt;The age’s normative move eschews at least&lt;br /&gt;the now more common tactic of pressing&lt;br /&gt;a double measure of marginalia (critically deep)&lt;br /&gt;into service…&lt;br /&gt;a serviceable center, no less.&lt;br /&gt;Glide path of past, present, future&lt;br /&gt;paling beneath a shale sky.&lt;br /&gt;The song, the tale, yea verily: mind’s bon voyage.&lt;br /&gt;&lt;br /&gt;Caught ourselves remarking&lt;br /&gt;how greatly, how authentically the best of us felt back then.&lt;br /&gt;(You know, a legacy of feathered wishes&lt;br /&gt;scattered wind-borne on the drafts of the straw heart’s imperium?)&lt;br /&gt;The beast jolts from indolence.&lt;br /&gt;A snare’s shudder, in the pocket,&lt;br /&gt;delirium passing,&lt;br /&gt;beneath the parallel haven of the vague and the endless&lt;br /&gt;(selected and with an introduction)…&lt;br /&gt;&lt;em&gt;She took his hand&lt;br /&gt;in the young spare spring&lt;br /&gt;that bade me watch them dance&lt;br /&gt;down the library steps just as—&lt;br /&gt;wouldn’t you know it—&lt;br /&gt;the sun flared forth&lt;br /&gt;then faded back a tad&lt;br /&gt;(the clouds passing seemingly just shy&lt;br /&gt;of time-lapse speed all that windy day),&lt;br /&gt;yes on level ground&lt;br /&gt;she took his hand&lt;br /&gt;and it must have felt good, I thought,&lt;br /&gt;that’s all,&lt;br /&gt;it must have felt good.&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;III&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;Aplomb of late afternoon light— tea by the open window.&lt;br /&gt;&lt;br /&gt;Later, a little Saumur with the evening news?&lt;br /&gt;Secret life of cut-rate sovereignty.&lt;br /&gt;She actually said to those assembled, "Dashes are my textual trademark."&lt;br /&gt;Fine, but keep the fly&lt;br /&gt;from the lip of the milk carton.&lt;br /&gt;Tough to say where it’s all going&lt;br /&gt;but chances are it will be tougher to celebrate when we get there.&lt;br /&gt;&lt;br /&gt;Days in the Place Balzac—&lt;br /&gt;bodily dispersal—&lt;br /&gt;I turn out the image once more.&lt;br /&gt;Her dream: to wear white muslin and to live&lt;br /&gt;on a cliff by the sea, somewhere, someday,&lt;br /&gt;with me I remember hoping.&lt;br /&gt;Morning fields dazed in a stupor of herbicide.&lt;br /&gt;Earth hosting a history of guests who don’t know when to leave.&lt;br /&gt;"It’s love not me rolling over in utter indifference."&lt;br /&gt;A woman bends to kiss&lt;br /&gt;the wooden cross that serves&lt;br /&gt;as her husband’s grave marker&lt;br /&gt;and where will the memory go&lt;br /&gt;once she and I and everyone else&lt;br /&gt;who leafed past the news photo today are gone?&lt;br /&gt;A "detour of birth" you called it…&lt;br /&gt;"Severed by what?"&lt;br /&gt;Moist flare of final thought?&lt;br /&gt;Fade out of distilling intuition and reasonable foci?&lt;br /&gt;&lt;br /&gt;All that rigor married merely to inswept rumor,&lt;br /&gt;dust of the earth rising?&lt;br /&gt;How this ache the mind insists&lt;br /&gt;on being—&lt;br /&gt;How it returns once more&lt;br /&gt;to the soul’s ideal weight—&lt;br /&gt;Soul that remains all or nothing?&lt;br /&gt;"Yours is," she laughed, "a predictably romantic desire."&lt;br /&gt;"Yes, but the necessity that gives rise to the desire confirms&lt;br /&gt;the contemporaneity&lt;br /&gt;of such a value."&lt;br /&gt;"What is the furthest&lt;br /&gt;you have ever jumped?"&lt;br /&gt;…Didacticism, yes, we nodded, but a didacticism conscious&lt;br /&gt;of its own situatedness…&lt;br /&gt;Hush.&lt;br /&gt;Tell it to the spirit of you-know-who,&lt;br /&gt;cutting across the glacier in her flats and long white coat.&lt;br /&gt;…as the glossy republic heaves on, semi-automatically,&lt;br /&gt;bemused in its shimmering diet of light…&lt;br /&gt;If you are tired&lt;br /&gt;you may put your head down&lt;br /&gt;and rest quietly at your desk.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;VI&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;/strong&gt;And whose narrative gloms your faith for now, pilgrim?&lt;br /&gt;No, one forefronts the contextual "nature" of the "Real"&lt;br /&gt;not to reify the notion of the unattainable,&lt;br /&gt;but to dissolve all the old irony…&lt;br /&gt;It’s all in the tenor&lt;br /&gt;of your self-reflexivity, sleepyhead.&lt;br /&gt;Notes amiss in the melody of the wreck…&lt;br /&gt;&lt;br /&gt;Work not to overbear your fine soul upon your neighbor.&lt;br /&gt;For when the hunch comes true we suspect genius.&lt;br /&gt;Or a galaxy of pearls falling from the heedless azure release of the sky.&lt;br /&gt;Even as the masonry is hopefully prone to outlast the mason.&lt;br /&gt;Enclosure turns, wed to anxiety.&lt;br /&gt;Should your concentration flag, your attention drift and yaw...well, where are you now?&lt;br /&gt;Holy Ish Kabibble.&lt;br /&gt;What the business looks like around back&lt;br /&gt;is apparently too costly for them to care about.&lt;br /&gt;Your bored ghost, or just a gust of wind&lt;br /&gt;riffling through the pages of the open book in the next room?&lt;br /&gt;We all catch up with the dead.&lt;br /&gt;No hair length but in humidity.&lt;br /&gt;After dinner at The Teddy Roosevelt Café,&lt;br /&gt;we walked the vacant streets of the mountain town,&lt;br /&gt;past the closed shops,&lt;br /&gt;past the mystic merchandise.&lt;br /&gt;Cute as a stuffed buffalo&lt;br /&gt;in the gift shop of the stern hearted.&lt;br /&gt;&lt;br /&gt;Seasons trail back o’ the hand.&lt;br /&gt;Impulsiveness,&lt;br /&gt;some say,&lt;br /&gt;may have once meant survival.&lt;br /&gt;God I just did not want to do it anymore so I did it&lt;br /&gt;no longer.&lt;br /&gt;This does not make me a hero&lt;br /&gt;even in America where I’m busy&lt;br /&gt;trying to clear my ear,&lt;br /&gt;pouring solutions down the canal&lt;br /&gt;and it’s not easy to be sure what’s in&lt;br /&gt;any bottle these days.&lt;br /&gt;Products of fear, day before Christmas,&lt;br /&gt;no difference,&lt;br /&gt;ear’s worse and what’s more,&lt;br /&gt;some sweaters are simply too much:&lt;br /&gt;Warmth, pattern, price, you name it.&lt;br /&gt;But thanks anyway (just practicing), yes, thanks.&lt;br /&gt;And remember that billboard?&lt;br /&gt;The one with the trench-coated executive&lt;br /&gt;waiting on a bench for his commuter train,&lt;br /&gt;smiling over his laptop computer,&lt;br /&gt;the line of copy beneath his image reading:&lt;br /&gt;&lt;br /&gt;Now You Are Free!&lt;br /&gt;&lt;br /&gt;You hear the old music now and you think it reminds you&lt;br /&gt;of how wondrous it all was back then,&lt;br /&gt;but no, it was not that way at all,&lt;br /&gt;it was a lousy and lonely time&lt;br /&gt;and the music was the thing,&lt;br /&gt;the only thing that got you through it,&lt;br /&gt;your only source of grace.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="left"&gt;* *&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;An earlier version of Part I of &lt;em&gt;Sablier&lt;/em&gt; appeared in &lt;em&gt;River Styx Magazine&lt;/em&gt;. Parts III and VI appeared in &lt;em&gt;Caveat Lector&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Sablier&lt;/em&gt;: Copyright 2006 by IA Books&lt;br /&gt;ISBN: 81-89617-15-X&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2393363469283130765-377997724058419740?l=dwolfpoems.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://dwolfpoems.blogspot.com/feeds/377997724058419740/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2393363469283130765&amp;postID=377997724058419740' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2393363469283130765/posts/default/377997724058419740'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2393363469283130765/posts/default/377997724058419740'/><link rel='alternate' type='text/html' href='http://dwolfpoems.blogspot.com/2008/10/poems.html' title='Poems'/><author><name>David Wolf</name><uri>http://www.blogger.com/profile/08765104863314154429</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://4.bp.blogspot.com/_xXg9NQvhzmU/SPyw7aSUzHI/AAAAAAAAACM/TIWspgY-7Lc/s1600-R/wolfd.jpg'/></author><thr:total>0</thr:total></entry></feed>
